Does the Queen Have a Art Historian at the Palace
The Purple Collection of the British royal family is the largest individual art collection in the world.[1] [two] [iii]
Spread among thirteen occupied and historic royal residences in the Britain, the collection is owned by Elizabeth II and overseen by the Royal Drove Trust. The Queen owns some of the collection in right of the Crown and some as a private private. It is made up of over one meg objects,[4] including 7,000 paintings, over 150,000 works on paper,[5] this including 30,000 watercolours and drawings,[half-dozen] and about 450,000 photographs,[7] every bit well as tapestries, furniture, ceramics, textiles, carriages, weapons, armour, jewellery, clocks, musical instruments, tableware, plants, manuscripts, books, and sculptures.
Some of the buildings which business firm the collection, like Hampton Court Palace, are open up to the public and not lived in by the Majestic Family, whilst others, like Windsor Castle and Kensington Palace, are both residences and open to the public. The Queen's Gallery at Buckingham Palace in London was congenital specially to exhibit pieces from the collection on a rotating footing. In that location is a similar art gallery next to the Palace of Holyroodhouse in Edinburgh, and a Drawings Gallery at Windsor Castle. The Crown Jewels are on public display in the Jewel House at the Tower of London.
About 3,000 objects are on loan to museums throughout the world, and many others are lent on a temporary basis to exhibitions.[4]
History [edit]
Few items from before Henry Eight survive. The most important additions were made by Charles I, a passionate collector of Italian paintings and a major patron of Van Dyck and other Flemish artists. He purchased the bulk of the Gonzaga collection from the Duchy of Mantua. The unabridged Imperial Drove, which included 1,500 paintings and 500 statues,[eight] was sold afterward Charles'southward execution in 1649. The 'Sale of the Late Rex's Goods' at Somerset House raised £185,000 for the English Republic. Other items were given away in lieu of payment to settle the male monarch'south debts.[9] A number of pieces were recovered by Charles 2 subsequently the Restoration of the monarchy in 1660, and they form the basis for the drove today. The Dutch Republic as well presented Charles with the Dutch Gift of 28 paintings, 12 sculptures, and a selection of furniture. He went on to purchase many paintings and other works.
George III was mainly responsible for forming the collection's outstanding holdings of Onetime Chief drawings; large numbers of these, and many Venetian paintings including over 40 Canalettos, joined the drove when he bought the drove of Joseph "Consul Smith", which likewise included a big number of books.[eleven] Many other drawings were bought from Alessandro Albani, primal and art dealer in Rome.[12]
George 4 shared Charles I's enthusiasm for collecting, buying upwards big numbers of Dutch Golden Historic period paintings and their Flemish contemporaries. Similar other English collectors, he took advantage of the peachy quantities of French decorative art on the London market place after the French Revolution, and is mostly responsible for the drove's outstanding holdings of 18th-century French furniture and porcelain, especially Sèvres. He also bought much gimmicky English language silverish, and many recent and contemporary English paintings.[13] Queen Victoria and her husband Albert were keen collectors of contemporary and old master paintings.
Many objects have been given from the collection to museums, peculiarly by George III and Victoria and Albert. In particular, the King's Library formed by George 3 with the assistance of his librarian Frederick Augusta Barnard, consisting of 65,000 printed books, was given to the British Museum, at present the British Library, where they remain as a singled-out collection.[xiv] He likewise donated the "Old Regal Library" of some 2,000 manuscripts, which are still segregated as the Royal manuscripts.[15] The core of this collection was the purchase by James I of the related collections of Humphrey Llwyd, Lord Lumley, and the Earl of Arundel.[sixteen] Prince Albert'due south will requested the donation of a number of more often than not early paintings to the National Gallery, London, which Queen Victoria fulfilled.[17]
Modern era [edit]
Throughout the reign of Elizabeth Ii (1952–present), in that location accept been meaning additions to the collection through judicious purchases, bequests, and gifts from nation states and official bodies.[18] Since 1952, approximately 2,500 works take been added to the Regal Collection.[nine] The Commonwealth is strongly represented in this style: an case is 75 gimmicky Canadian watercolours that entered the drove betwixt 1985 and 2001 equally a gift from the Canadian Guild of Painters in Water Colour.[nineteen] Modern art acquired by Elizabeth 2 includes pieces by Sir Anish Kapoor, Lucian Freud, and Andy Warhol.[nine] In 2002 information technology was revealed that 20 paintings (excluding works on paper) were acquired by the Queen in the first 50 years of her reign, mostly portraits of previous monarchs or their shut relatives. Eight were purchased at auction, 6 bought from dealers, three commissioned, two donated or bequeathed, and one was a purchase from Winchester Cathedral.[twenty] [21]
In 1987 a new department of the Royal Household was established to oversee the Majestic Collection, and it was financed by the commercial activities of Purple Collection Enterprises, a express company. Before then, information technology was maintained using the monarch'due south official income paid past the Ceremonious List. Since 1993 the drove has been funded by entrance fees to Windsor Castle and Buckingham Palace.[22]
Collection [edit]
The Aureate State Coach was commissioned by George III in 1760.
A computerised inventory of the collection was started in early 1991,[23] and it was completed in December 1997.[24] The full inventory is not bachelor to the public, though catalogues of parts of the drove – especially paintings – have been published, and a searchable database on the Majestic Drove website is increasingly comprehensive,[25] with "271,697 items found" by belatedly 2020.[26]
About a third of the vii,000 paintings in the collection are on view or stored at buildings in London which fall under the remit of the Historic Royal Palaces agency: the Belfry of London, Hampton Court Palace, Kensington Palace, Banqueting Firm (Whitehall), and Kew Palace.[27] The Jewel House and Martin Tower at the Tower of London too house the Crown Jewels. A rotating selection of art, furniture, jewellery, and other items considered to be of the highest quality is shown at the Queen'due south Gallery, a purpose-congenital exhibition heart almost Buckingham Palace.[28] Many objects are displayed in the palace itself, the state rooms of which are open up to visitors for much of the year, as well as in Windsor Castle, Holyrood Palace in Edinburgh, the Majestic Pavilion in Brighton, and Osborne House on the Island of Wight. Some works are on long-term or permanent loan to museums and other places; the most famous of these are the Raphael Cartoons, in the Victoria and Albert Museum in London since 1865.[29]
Paintings, prints and drawings [edit]
The collection's holdings of Western fine art are among the largest and near important assemblages in existence, with works of the highest quality, and in many cases artists whose works cannot be fully understood without a study of the holdings contained within the Royal Collection. There are over seven,000 paintings, spread across the Royal residences and palaces. The collection does not claim to provide a comprehensive, chronological survey of Western fine art only it has been shaped by the private tastes of kings, queens and their families over the concluding 500 years.
The prints and drawings drove is based in the Print Room, Windsor, and is exceptionally strong, with famous holdings of drawings by Leonardo da Vinci (550), Raphael, Michelangelo and Hans Holbein the Younger (85). A large role of the Sometime Master drawings were acquired by George III.[31] Starting in early on 2019, 144 of Leonardo da Vinci's drawings from the Collection went on display in 12 locations in the Great britain.[32] From May to October that year, 200 of the drawings were on brandish in the Queen'due south Gallery at Buckingham Palace.[33]
- Benjamin West – at least 60 paintings
- Abraham Bloemaert – at to the lowest degree ane painting
- Gerard ter Borch – at least 2 paintings
- Jan Dirksz Both – at least at least 1 painting
- Jan de Bray – at least at least 1 painting
- Hendrick ter Brugghen – at to the lowest degree 1 painting
- Aelbert Cuyp – at least 7 paintings
- Gerrit Dou – at least 4 paintings
- Frans Hals – at least i painting
- Hugo van der Goes – at least i painting
- Maarten van Heemskerck – at least 2 paintings
- Jan van der Heyden – at least 2 paintings
- Meyndert Hobbema – at least 2 paintings
- Melchior d'Hondecoeter – at least iv paintings
- Gerard van Honthorst – at to the lowest degree 6 paintings
- Pieter de Hooch – at least 3 paintings
- Nicolaes Maes – at least ane painting
- Jan Mertens the Younger – at to the lowest degree ane painting
- Gabriel Metsu – at least i painting
- Daniël Mijtens – at least nine paintings
- Adriaen van Ostade – at least v paintings
- Rembrandt – at least 6 paintings
- Salomon van Ruysdael – at to the lowest degree i painting
- Jacob Isaakszoon van Ruisdael – at least 1 painting
- January Steen – at least 7 paintings
- Adriaen van de Velde – at least 4 paintings
- Willem van de Velde the Younger – at least 7 paintings
- Johannes Vermeer – at least 1 painting (come across image)
- January Weenix – at least 1 painting:
- Adriaen van der Werff – at to the lowest degree 1 painting
- Philip Wouwerman – at least 5 paintings
- William Beechey – at least 17 paintings
- Thomas Gainsborough – at to the lowest degree 33 paintings, including a rare mythological work, Diana and Actaeon
- William Hogarth – at least three paintings
- John Hoppner – at least 7 paintings
- Cornelis Janssens van Ceulen – at least 2 paintings
- Sir Godfrey Kneller – at least 15 paintings
- Edwin Henry Landseer – at to the lowest degree 100 paintings and drawings
- Thomas Lawrence – at least 50 paintings
- Peter Lely – at to the lowest degree 20 paintings
- Joshua Reynolds – at least xx+ paintings
- George Stubbs – at least 18 paintings
- January Brueghel the Elder – at least 1 painting
- Pieter Bruegel the Elder – at least 1 painting
- Denys Calvaert – at least one painting
- Joos van Cleve – at least 4 paintings
- Pieter van Coninxloo – at to the lowest degree i painting
- Anthony van Dyck – at least 26 paintings
- Frans Francken the Younger – at least one painting
- Marcus Gheeraerts the Younger – at least one painting
- Frans Hals – at least 1 painting
- Jan Mabuse – at least ane painting
- Quentin Matsys – at to the lowest degree 1 painting
- Hans Memling – at to the lowest degree 1 painting
- Frans Pourbus the younger – at least 2 paintings
- Jan Provoost – at to the lowest degree ane painting
- Peter Paul Rubens – at least 13 paintings, 5 drawings (see prototype)
- David Teniers the Younger – at to the lowest degree 27 paintings
- François Clouet – at least 3 paintings
- Jean Clouet – at to the lowest degree one painting, 1 miniature
- Hippolyte Delaroche – at to the lowest degree 3 paintings
- Gaspard Dughet – at least 3 paintings
- Nicolas de Largillière – at least 1 painting
- Jean-Étienne Liotard – at least 16 paintings
- Claude Lorrain – at least 5 paintings
- Claude Monet – at least 1 painting
- Louis Le Nain – at least ane painting
- Jean-Baptiste Pater – at least 4 paintings
- Nicolas Poussin – at to the lowest degree A large collection of his drawings at Windsor, second only to that in the Musée du Louvre
- Eustache Le Sueur – at least 1 painting
- Georges de La Tour – at least one painting
- Simon Vouet – at least 1 painting
- Albrecht Dürer – at least 1 painting
- Hans Holbein the Younger – at least 7 paintings, 80 drawings and 5 miniatures
- Lucas Cranach the Elderberry – at to the lowest degree 5 paintings
- Lucas Cranach the Younger – at least 1 painting
- Georg Pencz – at least one painting
- Franz Xaver Winterhalter – at least 120 paintings, xx drawings & watercolours
- Johann Zoffany – at to the lowest degree 17 paintings
- Niccolò dell'Abbate – at least 1 painting
- Alessandro Allori – at least one painting
- Fra Angelico – at to the lowest degree 1 painting
- Jacopo Bassano – at least half dozen paintings
- Leandro Bassano – at least iii paintings
- Giovanni Bellini – at least 1 painting
- Gian Lorenzo Bernini – at to the lowest degree fifty drawings
- Francesco Borromini – at least 100 drawings
- Bronzino (Agnolo di Cosimo) – at least 1 painting
- Canaletto (Giovanni Antonio Canal) – at to the lowest degree 50 paintings and 140 drawings
- Caravaggio (Michelangelo Merisi da Caravaggio) – at least 2 paintings
- Polidoro da Caravaggio – at to the lowest degree 9 paintings
- Giovanni Cariani – at least 2 paintings
- Luca Carlevaris – at least 4 paintings
- Agostino, Annibale and Ludovico Carracci – at least 5 paintings, more than 350 drawings
- Cima da Conegliano – at to the lowest degree one painting
- Jacopo di Cione – at least 1 painting
- Antonio da Correggio – at least 2 paintings
- Giovanni Benedetto Castiglione – at least 260 drawings
- Bernardo Daddi – at to the lowest degree 1 painting
- Carlo Dolci – at least ane painting
- Domenichino (Domenico Zampieri) – at least 1 painting, as well as 1,700 drawings in 34 albums, the Royal Collection's largest holdings by a single artist[ citation needed ]
- Dosso Dossi – at least 2 paintings
- Duccio – at least 1 painting
- Gentile da Fabriano – at least 1 painting
- Girolamo Forabosco – at to the lowest degree 1 painting
- Domenico Fetti – at least fourteen paintings
- Lattanzio Gambara – at least 8 paintings
- Benvenuto Tisi (Il Garofalo) – at least 1 painting
- Raffaellino del Garbo – at to the lowest degree 1 painting
- Artemisia Gentileschi – at least ane painting
- Orazio Gentileschi – at least 2 paintings
- Luca Giordano – at to the lowest degree 12 paintings
- Guercino (Giovanni Francesco Barbieri) – at least 1 painting, and largest group of Guercino drawings in the globe, some 400 sheets, as well as 200 past his assistants and 200 other works[35]
- Leonardo da Vinci – at least 600 drawings, finest collection of Leonardo drawings in the earth[36]
- Bernardino Licinio – at least 4 paintings
- Pietro Longhi – at least two paintings
- Lorenzo Lotto – at least 3 paintings – at least Portrait of Andrea Odoni
- Andrea Mantegna – at least 9 canvases known as The Triumphs of Caesar
- Ludovico Mazzolino – at least i painting
- Michelangelo – at to the lowest degree xx drawings
- Parmigianino (Francesco Mazzola) – at least 2 paintings and thirty drawings
- Pietro Perugino – at to the lowest degree 1 painting
- Francesco Pesellino – at least one painting
- Pontormo (Jacopo da Pontormo) – at least 1 painting
- Raphael – at least 8 paintings, as well as an all-encompassing collection of drawings. There are seven full-size cartoons for the tapestries designed to hang in the Sistine Chapel. During the eighteenth and early nineteenth centuries, Raphael attained the zenith of his reputation. Consequently, the Raphael Cartoons have become some of the most famous, and widely imitated, paintings in the globe. Since 1865 they have been on loan from the Royal Collection to the Five&A.[37]
- Guido Reni – at to the lowest degree ane painting
- Sebastiano Ricci – at least 14 paintings
- Girolamo Romanino – at least 1 painting
- Giulio Romano – at least 6 paintings
- Andrea Sacchi – at to the lowest degree 130 drawings
- Francesco de' Rossi (Il Salviati) – at to the lowest degree one painting
- Andrea del Sarto – at least 2 paintings
- Girolamo Savoldo – at least ii paintings
- Andrea Schiavone – at least ii paintings
- Bernardo Strozzi – at least 1 painting
- Zanobi Strozzi – at to the lowest degree 1 painting
- Tintoretto – at least 5 paintings
- Titian (Tiziano Vecelli) – at least 4 paintings
- Alessandro Turchi – at least 4 paintings
- Perin del Vaga – at least 2 paintings
- Giorgio Vasari – at least 1 painting
- Palma Vecchio – at least two paintings
- Paolo Veronese – at to the lowest degree 3 paintings
- Antonio Verrio – at least one painting
- Francesco Zuccarelli – at to the lowest degree 27 paintings, together with 8 works collaborated with Antonio Visentini
- Federico Zuccari – at least 1 painting
Furniture [edit]
Numbering over 300 items, the Majestic Collection holds one of the greatest and well-nigh of import collections of French article of furniture ever assembled. The drove is noted for its encyclopedic range likewise every bit counting the greatest cabinet-makers of the Ancien Régime.
- Joseph Baumhauer – Bas d'armoire, c. 1765–70
- Pierre-Antoine Bellangé – at least 13 items, including:
Deux paire de Pedestals, inset with porcelain plaques, c. 1820
Paire de pier tabular array, c. 1823–1824 (The Blue Drawing Room, Buckingham Palace)
Paire de petit pier table, c. 1823–24 (The Blue Drawing Room, Buckingham Palace)
Side table, c. 1820
Paire de secretaire, c. 1827-28
Paire de cabinets, (encounter pietra dura department), c. 1820 - André-Charles Boulle – at least 13 items, including:
Armoire, c. 1700 (The Grand Corridor, Windsor Castle)
Armoire, c. 1700 (The Grand Corridor, Windsor Castle)
Chiffonier (en première-partie), c. 1700 (The Grand Corridor, Windsor Castle)
Chiffonier (en contre-partie), c. 1700 (The Thou Corridor, Windsor Castle)
Cabinet, (without stand, similar to ones in the Land Hermitage Museum and the collections of the Duke of Buccleuch)
Paire de bas d'armoire, (The Thousand Corridor, Windsor Castle)
Writing table, perchance delivered to Louis, the Grand Dauphin (1661–1711), c. 1680
Paire de torchère, c. 1700
Bureau Plat, c. 1710 (The Rubens Room, Windsor Castle)
Petit gaines, attributed to., early 18th century - Martin Carlin – at least two items:
Cabinet (commode à vantaux), (see pietra dura section), c. 1778
Cabinet, mounted with Sèvres plaques, c. 1783 - Jacob-Desmalter & Cie – at least 1 particular:
Bureau à cylindre, c. 1825 - Jacob Frères – at least 1 item:
Writing-table, c. 1805 - Gérard-Jean Galle – at least 1 detail:
Candelabrum x2, early on 19th century - Pierre Garnier – at least 2 items:
Paire de cabinets, c. 1770 - Georges Jacob – at least 30 items, including:
Petit sofa, c. 1790
Tête-à-tête, c. 1790
Fauteuil, c. 1790
Lit à la Polonaise, c. 1790
Pocket-sized armchairs and settees, suite of 20, c. 1786
Armchairs x4, c. 1786 - Gilles Joubert – at least 2 items:
Pair of Pedestals, delivered for the chamber of Louis Fifteen at Versailles, c. 1762 - Pierre Langlois – at least five items, including:
Commode, c. 1765 Deux paire de commode, c. 1763 - Étienne Levasseur – at to the lowest degree vii items:
Side-table, attributed to, c. 1770 Deux paire de gaines, attributed to, c. 1770 Deux secretaire, adapted from an Andre-Charles Boulle table en bureau, c. 1770 - Martin-Eloy Lignereux – at least 2 items:
Paire de cabinets, (run into pietra dura section), c. 1803 - Bernard Molitor – at least 3 items:
Commode, c. 1780
Paire de secretaires, c. 1815 - Bernard II van Risamburgh – at least ii items:
Centre-table, c. 1775
Commode, c. 1745 - Jean Henri Riesener – at least 6 items:
Commode, delivered to Louis XVI'south "Chambre du Roi" at Versailles, c. 1774;
Paire de encoignure, delivered to Louis XVI's "Chambre du Roi" at Versailles, c. 1774;
Jewel-chiffonier, delivered to the Comtesse de Provence, c. 1787
Writing-table, c. 1785
Bureau à cylindre, c. 1775 - Sèvres – at least 1 detail:
Heart-table, 'The Table of the 1000 Commanders', c. 1806–12 (The Blue Drawing Room, Buckingham Palace) - Pierre-Philippe Thomire – at least 15 items, including:
Pedestal, c. 1813
Pedestal for the equestrian statue of Louis XIV, c. 1826
Paire de candelabra, 8 calorie-free, c. 1828
Torchères x11, c. 1814
Clock, mounts attributed to., 1803
Candelabrum x2, early 19th century - Benjamin Vulliamy & Benjamin Lewis Vulliamy – at least 4 items:
Torchere x4, 1814 - Benjamin Vulliamy – at least 3 items:
Candelabra x2, 1811
Mantel clock, c. 1780 - Adam Weisweiler – at least 13 items:
Cabinet, inset with a Sèvres plaque, late 18th century
Cabinet, (encounter pietra dura section), 1780
Side Table, (see pietra dura department), c. 1780
Side Tabular array, (see pietra dura section), c. 1785 (The Green Drawing Room, Buckingham Palace)
Paire de pier-table, in chinoiserie manner, c. 1787–1790
Commode, c. 1785
Console-table x4, c.1785
Paire de petit bas d'armoire, mode of. boulle, late 18th century
- Robert Hume (English) – at least i item:
Pair of cabinets, (encounter pietra dura department), c. 1820 - Unknown (Flemish) – at least 2 items:
Chiffonier-on-stand, c. 1660
Cabinet-on-stand, 17th century - Johann Daniel Sommer (German) – at least 2 items:
Pair of cabinets-on-stand, attributed to. (stands English), late 17th century - Melchior Baumgartner (German) – at least 2 items:
Organ Clock, 1664
Cabinet, (see Pietra Dura section), c. 1660 - Unknown (Dutch) – at least 1 item:
Secretaire-cabinet, in boulle marquetry, c. 1700 - Pietra Dura – at least 11 items:
Cabinet, Augsburg, attributed to Melchior Baumgartner, c. 1660
Cabinet, Italian, c. 1680
Cabinet, Adam Weisweiler – at to the lowest degree inset with pietra dura panels, 1780 (The Green Drawing Room, Buckingham Palace)
Side Tabular array, Adam Weisweiler – at to the lowest degree inset with pietra dura panels, c. 1780 (The Silk Tapestry Room, Buckingham Palace)
Cabinet (commode à vantaux), Martin Carlin – at least inset with pietra dura panels re-used from Louis XIVs dandy Florentine cabinets, c. 1778 (The Silk Tapestry Room, Buckingham Palace)
Casket, Italian: Florentine, c. 1720
Paire de cabinets, Martin-Eloy Lignereux – at least inset with Florentine plaques, c. 1803
-
- Paire de cabinets, Pierre-Antoine Bellangé – at least inset with precious stones based on a Florentine design by Baccio del Bianco, c. 1820
4 Florentine pietra dura panels on 18th century cabinets, re-adapted, c. 1820s (The White Cartoon Room, Buckingham Palace) -
- Miscellaneous:
Cabinet-on-stand, magnificent case equanimous of ebony, mid-17th century
Bureau, magnificent example similar to a version in both the 5&A and the Getty Museum, 1690–95
Bureaux Mazarin x2, in Boulle mode, tardily 17th century
Bureaux Mazarin x2, in Boulle style, c. 1700 (The Ballroom, Windsor Castle)
Bureaux Mazarin, late 17th century (The West Gallery, Buckingham Palace)
Deux paire de boulle bas d'cabinets
Sculpture and decorative arts [edit]
- André-Charles Boulle – at least 4 items:
Mantle clock, c. 1710 (The Greenish Drawing Room, Windsor Castle)
Pedestal clock, (Similar to ones in Blenheim Palace, Chateau de Versailles, The Metropolitan Museum of Art, The Frick Drove and the Cleveland Museum of Fine art)
Pedestal clock, tardily 17th century;
Pedestal clock, c. 1720 - Abraham-Louis Breguet – at to the lowest degree 1 particular:
Empire regulator clock, 1825 - De La Croix – at least one detail:
Large clock, raised on a bronze plaque plinth, c. 1775 (The East Gallery, Buckingham Palace) - Gérard-Jean Galle – at to the lowest degree 1 particular:
Clock, figures and frieze representing the Oath of the Horaatii, early 19th century - Jean-Pierre Latz – at to the lowest degree 2 items:
Pedestal Clock, (reputed from the Chateau de Versailles), c. 1735–40
Barometer and Pedestal, c. 1735 - Jean Antoine Lépine – at least 1 item:
Clock, in the class of an African Diana, the goddess of the Chase, 1790 (The Blue Cartoon Room, Buckingham Palace)
Astronomical Clock, c. 1790 (The Blue Cartoon Room, Buckingham Palace) - Martin-Eloy Lignereux – at to the lowest degree i item:
Clock, 1803 - Pierre-Philippe Thomire – at least i item:
Clock, in the form of Apollo's chariot, c. 1805 (The State Dining Room, Buckingham Palace) - Benjamin Vulliamy – at least 1 item:
Clock, in the form of a bull, c. 1755–1760 - Benjamin Lewis Vulliamy – at least 1 item:
Clock, fitted with three porcelain figures, c. 1788 (The State Dining Room, Buckingham Palace)
- Matthew Boulton – at to the lowest degree 4 items:
Ii pairs of vases, c. tardily 18th century (The Marble Hall, Buckingham Palace) - Fabergé – at least three Imperial Eggs and ane Easter Egg
- Gérard-Jean Galle – at to the lowest degree 2 items:
Candelabra x2, in the grade of cornucopias, c. early 19th century - François Rémond – at least 12 items:
Candelabra x8, iv pairs, c. 1787 (The Blue Drawing Room & The Music Room, Buckingham Palace)
Candelabra x4, delivered to the comte d'Artois for the cabinet de Turc at Versailles, 1783 (The State Dining Room, Buckingham Palace) - Pierre-Philippe Thomire – at least 3 items:
Vase, c. early on 19th century (The Music Room, Windsor Castle)
Candelabra x2, malachite and bronze, early on 19th century (The White Drawing Room, Buckingham Palace)
Candelabra x2, malachite and bronze, c. 1828 (The State Dining Room, Buckingham Palace)
Candelabra x4, figures of patinated statuary, c. 1810 (The East Gallery, Buckingham Palace)
- Sèvres porcelain – Arguably the earth's largest collection
- Chelsea porcelain – Complete service finished in 1763
- Antonio Canova – at to the lowest degree 3 items:
Mars and Venus, c. 1815–1817 (The Ministers' Staircase, Buckingham Palace)
Fountain nymph, 1819 (The Marble Hall, Buckingham Palace)
Dirce, 1824 (The Marble Hall, Buckingham Palace) - François Girardon – at least ane particular:
Bronze equestrian statue of Louis 14, after Girardon, c. 1700 - Louis-Claude Vassé – at least 1 particular:
Equestrian statue of Louis XV, a small reduction copy later the original by Edmé Bouchardon, c. 1764 - Antiquities – at to the lowest degree two items:
British Statuary Age - the Rillaton Gold Cup, on long-term loan to the British Museum.[38]
Lely Venus, a Hellenistic statue of the "crouching Venus" type, bought by Charles I, on long-term loan to the British Museum.
- The Story of Abraham, set up of 10, woven in Brussels in the 1540s for Henry VIII
- Gobelins – at least 36 items:
Tapestry, four (from a serial of xx-viii designs) from the 'History of Don Quixote' given by Louis XVI to Richard Cosway, past whom presented to George Four, c. 1788
Tapestry, eight from the series 'Les Portières des Dieux', c. 18th century
Tapestry, four from the series 'Les Amours des Dieux', c. late 18th century
Tapestry, viii from the series 'Jason and the Golden Fleece', 1776-1779
Tapestry, seven from the series 'History of Esther', 1783
Tapestry, three from the series 'Story of Daphnis and Chloë', 1754
Tapestry, two from the series 'Story of Meleager and Atalanta', 1844
Costume [edit]
Elizabeth Ii showing works of art to Enrique Peña Nieto, and then President of United mexican states, on his state visit to the Great britain in 2015
The collection has a number of items of clothing, including those worn by members of the Royal family, especially female members, some going back to the early on 19th century. These include formalism dress and several hymeneals dresses, including that of Queen Victoria (1840).[39] There are besides servant'due south livery uniforms, and a number of exotic pieces presented over the years, going back to a "war coat" of Tipu Sultan (d. 1799).[40] In recent years these have featured more prominently in displays and exhibitions, and are popular with the public.
Gems and Jewels [edit]
A drove of 277 cameos, intaglios, badges of insignia, snuffboxes and pieces of jewellery known every bit the Gems and Jewels are kept at Windsor Castle. Separate from Elizabeth Ii'southward jewels and the Crown Jewels, 24 pre-appointment the Renaissance and the rest were made in the 16th–19th centuries. In 1862, information technology was showtime shown publicly at the Southward Kensington Museum, now the Victoria and Albert Museum. Several objects were removed and others added in the second one-half of the Victorian menstruation. An inventory of the collection was made in 1872, and a catalogue, Ancient and Modern Gems and Jewels in the Drove of Her Majesty The Queen, was published in 2008 by the Imperial Collection Trust.[41]
Ownership [edit]
The Imperial Drove is privately endemic, although some of the works are displayed in areas of palaces and other purple residences open up to visitors for the public to enjoy.[42] Some of the drove is endemic by the monarch personally,[43] and everything else is described equally being held in trust past the monarch in correct of the Crown. It is understood that works of art acquired by monarchs up to the death of Queen Victoria in 1901 are heirlooms which autumn into the latter category. Items the British purple family caused later, including official gifts,[44] tin be added to that part of the collection by a monarch at his or her discretion. Ambiguity surrounds the status of objects that have come up into the possession of Elizabeth II during her reign.[45] The Royal Collection Trust has confirmed that all pieces left to the Queen by the Queen Mother, which include works by Monet, Nash, and Fabergé, belong to her personally.[46] It has also been confirmed that she owns the Royal postage collection, inherited from her father George Half dozen, as a private individual.[47]
Non-personal items are said to exist inalienable equally they can only be willed to the monarch'southward successor. The legal accuracy of this claim has never been substantiated in court.[48] According to Cameron Cobbold, and so Lord Chamberlain, speaking in 1971, small-scale items have occasionally been sold to help enhance money for acquisitions, and duplicates of items are given away equally presents inside the Democracy.[45] In 1995, Iain Sproat, so Secretarial assistant of State for National Heritage, told the Business firm of Eatables that selling objects was "entirely a affair for the Queen".[49] In a 2000 television receiver interview, the Knuckles of Edinburgh said that the Queen was "technically, perfectly at liberty to sell them".[28]
Hypothetical questions have been asked in Parliament about what should happen to the collection if the UK ever becomes a commonwealth.[fifty] In other European countries, the art collections of deposed monarchies usually have been taken into state ownership or become part of other national collections held in trust for the public'due south enjoyment.[51] Under the European Convention on Human Rights, incorporated into British law in 1998, the monarch may take to be compensated for the loss of any assets held in right of the Crown unless he or she agreed to give up them voluntarily.[52]
Direction [edit]
Logo of the Royal Collection Trust
A registered charity, the Royal Collection Trust was prepare upwardly in 1993 later on the Windsor Castle burn down with a mandate to conserve the works and enhance the public's appreciation and agreement of art.[53] Information technology employs around 500 staff and is i of the 5 departments of the Royal Household.[54] Buildings do not come nether its remit. In 2012, the team of curatorial staff numbered 29, and there were 32 conservationists.[55] Income is raised by charging archway fees to run into the collection at various locations and selling books and merchandise to the public. The Trust is financially independent and receives no Government funding or public subsidy.[56] A studio at Marlborough House is responsible for the conservation of furniture and decorative objects.[57]
Owing to the COVID-19 pandemic, the Trust lost £64 million during 2020 and appear 130 redundancies, including the roles of Surveyor of the Queen's Pictures and Surveyor of the Queen's Works of Art.[58]
The Royal Collection Trust is a company limited past guarantee, registered in England and Wales, No. 2713536. It is a Registered Charity No. 1016972; Registered Part: York Business firm, St James's Palace, London SW1A 1BQ.
On its website, the Trust describes its purpose every bit overseeing the "maintenance and conservation of the Royal Drove, bailiwick to proper custodial control in the service of the Queen and the nation." Information technology also deals with acquisitions for the Royal Collection, and the display of the Royal Collection to the public.
Lath of Trustees [edit]
The Board of Trustees includes the following officers of the Purple Household: the Lord Chamberlain, the Individual Secretarial assistant to the Sovereign and the Keeper of the Privy Purse. Other Trustees are appointed for their knowledge and expertise in areas relevant to the charity'southward activities. Currently, the trustees are:
- James Leigh-Pemberton (Chairman)
- Marc Bolland (Deputy Chairman)
- Brian Ivory
- Tony Johnstone-Burt
- Anna Keay
- Lord Parker of Minsmere (Lord Chamberlain)
- Michael Stevens (Keeper of the Privy Handbag)
- Edward Immature (Private Secretary to the Sovereign)
Management Lath [edit]
The Management Board is the committee responsible for the day-to-day running of the Royal Drove. It is appointed by the Board of Trustees.
It consists of:
- Tim Knox (Manager of the Imperial Drove)
- Keith Harrison (Finance Managing director)
- Michelle Lockhart (Commercial Director)
Gallery [edit]
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-
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Titian, Portrait of Jacopo Sannazaro (1514–18)
-
-
Titian, Madonna and Kid in a Landscape with Tobias and the Affections (1535-1540)
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-
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Peter Paul Rubens, Milkmaids with cattle in a landscape, 'The Subcontract at Laken', c. 1617–1618
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-
-
-
-
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Canaletto, The Bacino di San Marco on Ascent Day, c. 1733–1734
See too [edit]
- Arts Council Collection
- Crown Drove
- Government Art Collection
- Portland Collection
- Surveyor of the Queen's Pictures
- Surveyor of the Queen's Works of Art
- Wallace Collection
Notes [edit]
- ^ All of these paintings normally hang in the palace's Picture Gallery. From left to correct:
- Claude Lorrain, Harbour Scene at Sunset (1643)
- Canaletto, The Piazzetta Looking North-West with the Narthex of San Marco (c. 1723–24)
- Canaletto, The Piazzetta Looking towards San Giorgio Maggiore (c. 1723–24)
- Canaletto, The Piazzetta Looking towards Santa Maria della Salute (c. 1723–24)
- Canaletto, The Piazzetta Looking North towards the Torre dell'Orologio (c. 1723–24)
- Claude Lorrain, Coast Scene with the Rape of Europa (1667)
- Canaletto, The Bacino di San Marco on Ascension Twenty-four hour period (c. 1733–34)
References [edit]
- ^ Stuart Jeffries (21 Nov 2002). "Kindness of strangers". The Guardian . Retrieved 15 July 2016.
- ^ Jerry Brotton (2 April 2006). "The dandy British fine art swindle". The Sunday Times. Archived from the original on two Dec 2016.
Some people know that this is perhaps the finest, and certainly what the majestic palaces website proudly calls "the largest private collection of art in the earth".
- ^ Hall, p. three.
- ^ a b "FAQs nearly the Royal Collection". Majestic Collection Trust. Archived from the original on 4 April 2016.
- ^ "Jeremy, Curator of Prints and Drawings", RC website
- ^ "Secrets of the Queen's paintings". The Telegraph. xv February 2015. Archived from the original on 12 January 2022. Retrieved 21 March 2016.
- ^ "About the Collection: Photographs". Royal Collection Trust . Retrieved 4 March 2019.
- ^ Michael Prodger (22 Jan 2018). "The condescending collector: how Charles I gained (and lost) some of the world'southward best fine art". New Statesman . Retrieved 4 March 2019.
- ^ a b c Michael Prodger (17 December 2017). "The Royals' Treasures". Culture. The Sun Times. pp. 44–45.
- ^ "Lady at the Virginals with a Gentleman". Purple Collection Trust. Inventory no. 405346.
- ^ Lloyd (1991), 143, 164, 166
- ^ "George 3", Purple Collection
- ^ "King George Four", Royal Collection; Lloyd (1991), 143
- ^ "The Rex'southward Library, British Library
- ^ "Royal manuscripts", British Library
- ^ R. Brinley Jones, 'Llwyd, Humphrey (1527–1568)', Oxford Dictionary of National Biography, Oxford Academy Press, Sept 2004
- ^ "Prince Albert and the Gallery", National Gallery
- ^ Sir Hugh Roberts in Roberts, pp. 25 and 391.
- ^ Jackson, p. 59.
- ^ Martin Bailey (1 Dec 2002). "The Purple Collection discloses list of twenty pictures purchases over the terminal 50 years". The Art Newspaper . Retrieved 8 March 2021.
- ^ "The Iv eldest Children of the Rex and Queen of Bohemia". Royal Collection Trust. Inventory no. 404971.
- ^ Hall, p. 660.
- ^ "Works of Art". Parliamentary Debates (Hansard). Vol. 216. United Kingdom: House of Commons. 11 January 1993. col. 540W.
- ^ "Royal Drove". Parliamentary Debates (Hansard). Vol. 315. United Kingdom: House of Commons. 7 July 1998. col. 429W.
- ^ Hardman, p. 102.
- ^ "Explore the Collection", Majestic Collection, accessed i October 2020
- ^ "Art Collections". Parliamentary Debates (Hansard). Vol. 219. Uk: Firm of Commons. 19 February 1993. col. 366W.
- ^ a b "The user-friendly fiction of who owns priceless treasure". The Guardian. thirty May 2002. Retrieved 1 December 2016.
- ^ Clayton and Whitaker, pp. 12 and 16.
- ^ "The Triumphs of Caesar: 4. The Vase-Bearers". Royal Collection Trust. Inventory no. 403961.
- ^ "Drawings, Watercolours, and Prints". Royal Collection Trust . Retrieved sixteen Nov 2020.
- ^ "LEONARDO DA VINCI: A LIFE IN DRAWING". RCT. 8 February 2019. Retrieved 29 November 2019.
A nationwide celebration during 2019
- ^ "Leonardo da Vinci'south Artistic Luminescence Endures 500 Years After His Decease". National Geographic. i May 2019. Retrieved 29 November 2019.
- ^ The Social Affairs Unit – at least Web Review: Dutch Paintings at the Imperial Collection
- ^ "Giuseppe Macpherson (1726-C. 1780) – Guercino (1591-1666)". Regal Collection Trust . Retrieved xv March 2020.
- ^ Jones, Jonathan (30 August 2006). "The real Da Vinci code". The Guardian. London. Retrieved 22 May 2010.
- ^ "The story of the Raphael Cartoons". V&A . Retrieved 12 February 2019.
- ^ "Rillaton Cup", Imperial Collection
- ^ "Queen Victoria's wedding wearing apparel, 1840", Royal Collection
- ^ "War coat of Tipu Sultan, 1785-90", Imperial Collection
- ^ Piacenti and Boardman, p. 11.
- ^ Lloyd, p. 11. "It is, therefore, a private drove, although its sheer size (some 7,000 pictures) and its brandish in palaces and royal residences (several of which are open to the public) give it a public dimension".
- ^ "Royal Taxation". Parliamentary Debates (Hansard). Vol. 351. Britain: House of Commons. 7 June 2000. col. 273W.
There is a computerised inventory of the Royal Collection which identifies assets held past the Queen as Sovereign and as a private individual.
- ^ "Force the Imperial Family unit to declare gifts, say MPs". Evening Standard. London. xxx January 2007. Retrieved 26 November 2016.
- ^ a b Morton, p. 156.
- ^ McClure, pp. 209–210.
- ^ McClure, p. 20.
- ^ Paxman, p. 165.
- ^ "Ethiopian Manuscripts". Parliamentary Debates (Hansard). Vol. 263. U.k.: House of Eatables. 19 July 1995. col. 1463W.
- ^ "Royal Finances". Parliamentary Debates (Hansard). Vol. 388. United kingdom: House of Commons. 9 July 2002. col. 221WH.
- ^ Lloyd, p. 12.
- ^ Cahill, p. 77.
- ^ Hardman, p. 43.
- ^ "Working for us". Royal Collection Trust. Retrieved 21 March 2016.
- ^ "The Royal Collection: Not only for Queen, but also for country". The Telegraph. 28 May 2012. Archived from the original on 12 January 2022. Retrieved 21 March 2016.
- ^ "Full accounts made upwardly to 31 March 2015". Companies Firm. Retrieved 21 March 2016.
- ^ "Annual report 2006/vii" (PDF). Royal Drove Trust. Archived from the original (PDF) on 1 April 2016.
- ^ Gareth Harris (24 Dec 2020). "Curators responsible for Queen's art drove lose their jobs in Covid-19 toll-cutting practise". The Fine art Newspaper . Retrieved 8 March 2021.
Bibliography [edit]
- Cahill, Kevin (2001). Who owns Britain. Canongate. ISBN978-0-86241-912-7.
- Clayton, Martin; Whitaker, Lucy (2007). The Art of Italy in the Royal Drove: Renaissance & Baroque. Royal Collection Trust. ISBN978-1-902163-29-1.
- Hall, Michael (2017). Art, Passion & Power: The Story of the Royal Drove. BBC Books. ISBN978-1-785-94261-7.
- Hardman, Robert (2011). Our Queen. Random Business firm. ISBN978-1-4070-8808-2.
- Jackson, D. Michael (2018). The Canadian Kingdom: 150 Years of Constitutional Monarchy. Dundurn. ISBN978-1-4597-4119-5.
- Lloyd, Christopher (1991), The Queen's Pictures, Royal Collectors through the centuries, National Gallery Publications, ISBN 0947645896
- Lloyd, Christopher (1999). The Paintings in the Royal Collection: A Thematic Exploration. Royal Collection Enterprises. ISBN978-1-902163-59-8.
- McClure, David (2015). Regal Legacy. Thistle. ISBN978-1910198650.
- Morton, Andrew (1989). Theirs Is the Kingdom: The Wealth of the Windsors . Michael O'Mara Books. ISBN978-0-948397-23-3.
- Paxman, Jeremy (2007). On Royalty. Penguin Adult. ISBN978-0-fourteen-101222-3.
- Piacenti, Kirsten Aschengreen; Boardman, John (2008). Aboriginal and Modern Gems and Jewels in the Collection of Her Majesty The Queen (PDF). Royal Collection Trust. ISBN978-1-902163-47-five.
- Roberts, Jane, ed. (2002). Royal Treasures: A Golden Jubilee Celebration. Royal Collection Trust. ISBN978-1-9021-6349-9.
Further reading [edit]
- Bird, Rufus; Clayton, Martin, eds. (2018). Charles II: Art & Power. Purple Collection Trust. ISBN978-1-909741-44-7.
- Cornforth, John (1996). Queen Elizabeth the Queen Mother at Clarence House. Michael Joseph. ISBN978-0-7181-4191-ii.
- MacGregor, Arthur, ed. (1989). The Late King's Appurtenances. Alistair McAlpine. ISBN978-0-19-920171-6.
- Millar, Oliver (1977). The Queen'south Pictures . Weidenfeld & Nicolson. ISBN978-0-297-77267-5.
- Parissien, Steven (2001). George Iv: The Grand Entertainment. John Murray. ISBN978-0-7195-5652-4.
- Plumb, J. H.; Wheldon, Huw (1977). Royal Heritage: The Story of Britain'southward Royal Builders and Collectors . BBC Books. ISBN978-0-563-17082-2.
- Roberts, Jane, ed. (2004). George 3 and Queen Charlotte: Patronage, Collecting and Court Sense of taste. Royal Drove Trust. ISBN978-i-9021-6373-4.
- Roberts, Jane (2008). Treasures: The Royal Drove. Imperial Collection Trust. ISBN978-1-905-68606-3.
- Rumberg, Per; Shawe-Taylor, Desmond, eds. (2017). Charles I: King and Collector. Royal Academy of Arts. ISBN978-one-910350-67-vi.
- Shawe-Taylor, Desmond, ed. (2014). The Kickoff Georgians: Fine art & Monarchy, 1714–1760. Royal Collection Trust. ISBN978-1-905686-79-vii.
External links [edit]
- Official website
- YouTube channel
- Vimeo channel
sheppardnervenilies.blogspot.com
Source: https://en.wikipedia.org/wiki/Royal_Collection
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